(p.s. I believe the favored tag format would be "Australian people.")

Which means garbage people, really.

something tells me that the priest put some last minute restrictions on what and where the photographer was allowed to do

also a dingo stole someone's baby

Boys' Town, James Cagney, fightin' priests...kick their asses!

Request for slight Livejournal addendum: Don't most wedding photographers make ridiculous amounts of money with respect to the time, work, and skill required?

A lot of them can make mad money off minimal post-process combined with never giving you the digital files, meaning you pay for every picture - hence why it's in their best interest to make sure nobody in the audience gets an acceptable photo of the kiss and such, since you might just snag the RAW file from the weird uncle with 00 in camera gear. Some would rather just give a minimally-adjusted image dump and be done with it, it depends.

Skill-wise, the skills needed vary - the sears portraits afterwards are studio lighting 101, the reception photos are basic flash photography and low expectations, as are the pre-wedding pics. The only tricky part tends to be the service proper - churches are often dimly lit, and when bright are often backlit (since those are typically the windows closest to the couple) and there are often tight restrictions on the photog. At the church I worked they were 1) anything goes during the processional 2) no flash after that until after the register had been signed 3) you had to be out of view (balcony or in the rear) and again anything goes after the register. Some dude with a slow lens or expecting flashes allowed is going to be in trouble. I'm guessing mediocre photogs can persist because they're not generally relying on repeat customers.

The other skills for wedding is the intangibles, mind you - dealing with incredibly stressed people, knowing when they don't want a photo taken, dealing with wrangling crowds who just want to party and getting them to stand still for photos, etc. I've done a bit of wedding stuff for friends who couldn't afford one, and though I do photos for money (so I'm a small step above "hey, ____ has a nice camera, he can do the wedding"), I'm not working to earn a living off of it - I'd rather work a 9-5 computer job and take interesting/fun things that might not pay super-well than having to do Sears Portraits and weddings to make ends meet.

Work-wise, it depends on what post-process they do - earning 0-00 a wedding becomes reasonable if they're actually retouching all the keepers, including the proofs that never get bought, and they're doing a good job. Hard to get multiple weddings a week, and it's hard to get one every weekend. Not to mention the right gear being expensive and stuff like flashes, backdrops, batteries, hard drives and other archival gear and to a lesser extent camera bodies have a limited number of uses before they need replacing. Again, value comes down to whether the person doing it is ripping you off or not.